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Reading the book I was struck by how things have changed since the appearance of the first edition, and how the editor and contributors have kept up with those changes without losing touch with the rich history of cinema that informs contemporary flirten funny dog. The Documentary Form, Paul Ward We will continue to recommend Introduction to Film Studies to our advanced students and it will be required reading at entry level.

I encourage students to make it their top priority reading.

Introduction to film studies

This completely revised and updated fifth edition guides students through the key issues and concepts in film studies, traces the historical development of film and introduces some of the worlds key national cinemas.

It offers a fresh perspective on the subject and in an age saturated by the moving image helps us to navigate some difficult terrain. The Industrial contexts of film production, Searle Kochberg 2. Indian Cinema, Lalitha Gopalan Getting to the Bigger Picture, Patrick Phillips 4. Gender and Film, Jill Nelmes Genre theory and Hollywood Cinema, Paul Watson 9.

Introduction to Film Studies

A wide range of films are analysed and discussed. It is lavishly illustrated with film stills and production shots, in full colour throughout. Approaches to Cinematic Authorship, Paul Watson 7. The text's applicability of methodology to films and movements as well as other areas of study, e.

Each chapter is written by a subject specialist, including two new authors for the fifth edition.

Introduction to film studies

Film Form and Narrative, Susan Spiedel 5. The text's interdisciplinarity allows me to teach film in meaningful ways to a broad array of students.

The extended range of chapters, which are carefully chosen, display up-to-date scholarship using many recent films and provide a fully rounded and extended introduction to film studies. Her research interests include gender and film and screenwriting.

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The revised edition keeps up with changes in technology and the discussions of Hollywood are particularly illuminating…I highly recommend this text. Lesbian and Gay Cinema, Chris Jones More practically, each chapter serves as a model of analysis and the questions for discussion, and suggested further readings and viewings as well as related internet resources allow me to construct assignments that engage the students more fully in the areas they are interested.

It also strikes a nice balance between providing sometimes difficult concepts in theorists' original language and explicating the significance of the passages in language students can more comfortably understand.

A range of theories and theorists are presented from Formalism to Feminism, from Eisenstein to Deleuze.

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British Cinema, Lawrence Napper The book has definitely evolved from its first edition and has a more comprehensive feel, with more detailed summaries of academic arguments and developed references to fields of study that make it useful to return to as your studies advance.

Latin American Cinema, Linda Craig The case studies are perfect for smaller assignments, and the broader theoretical models can be turned into term projects. First Edition "Simply the best introductory volume in the field so far. Description Introduction to Film Studies is a comprehensive textbook for students of cinema.

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The fourth edition furthers this study through revising existing chapters and adding critical new research of this compelling medium.

Harvey O'Brien, University College Dublin, Ireland "Nelmes' Introduction to Film Studies perfectly combines introducing students to film as an object of study and to the various ways that film can and has been analyzed within the academy.

Key features of the fifth edition are: Spectator, Audience and Response, Patrick Phillips 6. Its balance between defining film form terminology and providing a history of film with more current film theories is perfect for the course I teach, which includes film studies concentrators and many generally interested students from other disciplines looking for an elective.

Reviewed widely by teachers in the field and with a foreword by Bill Nichols, it will be essential reading for any introductory student of film and media studies or the visual arts worldwide.