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The five-angled shape in the middle of the uniform cap was meant to represent the spirit of sports, which connects races, nations, religions, genders, cultures, as well as the five continents, united by a common passion for the Games.
The other new events all had a strong team ethic and helped the Games bridge the gender divide.
The white and gold tones of the torch mirror the main colours of the PyeongChang Olympic Winter Games Torch Relay, while the five-pronged shape of the flame is based on the Korean symbol for PyeongChang, which was also engraved around the bottom half and top of the torch. The new events added a new dimension to these Games, with the accent very much on increasing the appeal of the Olympic Winter programme to young audiences around the world.
On the reserve, meanwhile, are stated the discipline, event and the PyeongChang emblem. The light teal and light red ribbon from which the medals hang were also embroidered with Hangeul patterns and other designs.
Alpine skiing, traditionally an individual sport, also had its own mixed team event for the first time.
In total, sets of the medals have been made. The snowboard Big Air gave the Games a youthful vibe.
The first character in the emblem also represents a gathering place where the three elements of Cheon-ji-in — heaven, earth, and human — are in harmony.
The ribbon from which the medal hangs was an equally important part of the design and had been created using gapsa, a traditional South Korean fabric.
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For the first time in PyeongChang, a mixed doubles event in curling appeared alongside the traditional men's and women's team events. And finally, the speed skating programme in PyeongChang was rounded off with men's and women's 'mass start' events.
Their design was inspired by the texture of tree trunks, with the front bearing the Olympic rings and dynamic diagonal lines that reflect both the history of the Olympics and the determination of the participants.
More info Eight new medal events at PyeongChang took the total of golds tomore than any previous Olympic Winter Games.
At its meeting on 22 Junethe IOC Executive Board selected all three cities as Candidate Cities and they continued to the second phase of the bid process. They are the work of celebrated South Korean designer Lee Suk-woo, who incorporated Hangeul — the Korean alphabet and the foundation of Korean culture — into their design through a series of consonants symbolising the effort of athletes from around the world, who came together as one to compete at PyeongChang At the final vote in Durban, PyeongChang was elected with 63 votes to Munich's 25 votes and Annecy's 7 votes.
This gave PyeongChang the majority that it needed to overcome the stiff competition put up by Munich and Annecy. Three cities were proposed by their National Olympic Committees to host the Games:
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