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To conclude this section on a practical note, do be careful if you need to lift these units: The E preamplifier boasts its own share of sophisticated circuitry. They create a realistic portrayal of both Jones' guitar and his voice: The Masekela disc demonstrates that the amplifier does not sound over-polite or soft on drum and cymbal strikes as it had with the Aimee Mann disc.
The same is true of Rage Against The Machine's eponymous album, which, while it is difficult to fault in hi-fi terms, doesn't generate the excitement of which the songs are capable.
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Audiophiles who aspire to the high end but only have modest spending power will welcome the performance per pound the duo offers, too. Even so, there seems some diminution of leading-edge information evident, which reveals itself as a softened attack on cymbals and tambourines.
Although we found the amps preferred well recorded discs, we'd encourage a lengthy audition with a wide range of music to see just what the E and W can do. Playing Hugh Masekela's rather busier Stimela from the CD Hope, it strikes us that the pairing might appreciate better recordings and not suffer those that are less well put together.
By day margaret qualley dating site, we felt the amps had been sufficiently run-in from new for some critical listening.
Even at our late-night-listening level of dB that is still a whole bunch of resistors hanging around doing nothing.
The power amplifier, though, doesn't have any monopoly on advanced technology. Nor does it require a percussive or stringed instrument to produce leading edge information as Masekela's assertive horn stabs and vocalising demonstrate on this faultlessly produced live recording.
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Similarly Brad Wilks' drumming doesn't display its usual violent attack: Pleasing performance As the s appear to favour recordings with a bit of space around the elements we try Nic Jones' Canadee-I-O from the album Penguin Eggs.
Pitch-perfect vocals When thoroughly warmed-up the system demonstrates a very composed, civilised character that seems far better suited to some discs than it does to others. No spam, we promise. As the yewon min suk dating quotes played in over the course of a day's Red Hot Chilli Peppers on repeat, the presentation gradually became more evenly balanced and naturally weighted.
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Cambridge Audio E Pre-Amp / W Power-Amp | TechRadar
The E uses a sophisticated resistor ladder and relay-based attenuator for volume and balance control. You can unsubscribe at any time and we'll never share your details without your permission. The politeness, for want of a better word, doesn't do justice to the B's generally up-beat Good Stuff album: The display, which is described as user-friendly - as is every display these days - actually is and is a joy to use.
With the flick of a few switches and the repositioning of a few interconnects you could have four or more of these economical fire-breathers configured so that you have watts on tap for every individual drive unit.
For example, rather than use commonly available, off-the-shelf op-amps for the critical low level gain stages, Cambridge brewed audiophile modules, called Terrapins, which it designed with the sole aim of extracting the best audio performance from the amplifier.
Naturally, it is fully equipped for use with Cambridge Audio's Incognito system. For example, Zack De La Rocha's vocals sound as though he's mildy peeved rather than seething with anger. This outwardly straightforward guitar and voice recording shows off these amplifiers to their best advantage.
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We have no reservations, though, about the way this system handles Mann's superb voice: Enhanced audio The amplifier uses Cambridge's second generation proprietary Class XD technology, along with a new output stage that has been carefully adjusted to integrate with this novel topology.
Conversely, Aimee Mann's Whatever displays appropriate urgency and bite, probably because of the -- much gentler -- guitar driven nature of the music.
Alternatively, the bridged mono mode allows two Ws to be used with each configured as a watt monoblock. It was obvious from the outset that this combination required a good amount of running-in from new. The s expose these subtleties with alacrity while imbuing his steel-strung acoustic with a vibrant tonality and vivid dynamics.
In fact, after a couple more tracks it dawns upon us that we are actually contentedly listening and tapping our feet to traditional folk music: The sound initially was thin and ethereal with a distinct shortage of presence and solidity in the upper bass: When bi-amping, one W of the pair powers each speaker so that its tweeter and woofer each has its own dedicated amplifier channel.
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Although this provides 1dB incremental volume adjustments, we found that much of its range seemed wasted in our system: The preamplifier also incorporates RS and multiroom connections to enable it to be used in custom installations: As the CD progresses, it begins to seem that the amplifiers fare better with sparser mixes, greatly preferring the simple guitar, bass and voice intro to Stupid Thing to the more dense arrangement of Fifty Years After The Fair with its vocal layering and keyboards.
There's no doubt that there's some very clever electronics lurking within the W. The preamp offers a balanced output and the power amplifier has balanced input connections, so one can run the whole shebang in balanced mode with the flick of a few tiny switches on the rear panels. User friendly kit All the information the user needs is presented through a customisable front panel display, which can be dimmed or switched off when not needed.
On that subject, the E provides eight line-level connections, two of which can be balanced. Both units have substantial chassis, facia panels and, inside, beefy transformer and heat-sink assemblies.
Cambridge Audio has upped its game with a high-end, two-box amp
A versatile amplifier As well as acting as a straightforward stereo power amplifier, the W can be used in either a bi-amped or bridged mono configuration. Shares Our Verdict These high-end amps from Cambridge are well built, well featured and offer great value for money.
It does not simply favour uncomplicated mixes over more intricate arrangements, but it appears to relish the finer examples of the recordist's art. Each channel features an individual array of relays and resistors to enhance the preamp's stereo separation and imaging performance.
Breaking in the amps Given that the W, in standard mode, delivers a very respectable W into an eight ohm speaker, we picked a model that, while not difficult to drive in the accepted sense, readily demonstrates its disapproval of any amplifier that cannot exert strict control over it.
Inputs can be renamed with more informative names than 'Input 1' or 'Input 2'.